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Kenny Neal discovered that not long ago, but have enjoyed things this guy so much, I eagerly bought all that I could get my hands on. He's got it all — the voice, guitar, harp, and the rare ability to make all the work and all the time. pif you've never heard of before Kenny Neal, the first thing you take is his voice. After that is only his consistent style of doing – whatever style of blues that chooses to do – very well. This CD has some songs that onlya tribute to the blues greats of the past, cementing Kenny Neal own sound and style. "Carry The Torch" and "I'm A Man Blues" are two tracks of the genre. Great, if for nothing else, that tell a story and to establish respect for his style of blues guitar roots.pHis is fresh, clean, and over the top. Not mushy and over-production. His harp is also fresh, clean and easy-to-listen-to the song after song. In my opinion, most of the blues harp players are overrated and sloppy. Non, Kenny Neal. Hisharp expressions and rhythms do not clash, leaving you with a response almost surprised – that they want more. I'd listen to this guy playing blues harp for hours, not a norm for me to be a hook with a "fast" for the blues harp players.pThis boy needs to get out of New Orleans and tour of the Midwest with the rest of U.S. We are all anxious to see Kenny Neal run. Also anxious about a new CD, now that I've heard his work before.
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Kenny Neal is such a terrific singer that he can make any kind of blues sound good. On iHoodoo Moon/i, Neal does the Delta blues justice on a version of Elmore James’s “It Hurts Me Too,” and does a fine job on the Chicago blues with “I’m a Blues Man.” He even pulls off some James Brown funk on “Just One Step.” Nonetheless, Neal makes his most valuable contributions when he allows his Louisiana roots to show. On “Don’t Fix Our Love,” for example, Neal lays his blues-harmonica solo and gravelly vocal over a New Orleans second-line parade rhythm. Lucky Peterson plays the Professor Longhair-like piano part expertly and does the same with the Fats Domino-like piano triplets on “Why Should I Stay.” “The Real Thing” and the album’s title track boast the slippery shuffle beat of upstate Louisiana’s swamp blues. As the son of Raful Neal and the former protégé of Slim Harpo and Lazy Lester, Neal is the legitimate heir of this tradition and he plays it beautifully. These four Louisiana-influenced songs are the highlights of iHoodoo Moon/i. Neal is a tremendously talented young man–excelling as a guitarist as well as a singer and harmonica player–but lots of talented young men are plowing the overworked ground of Chicago, Memphis, and Delta blues. Neal would be better off leaving those crowded fields alone and concentrating on his inspired swamp-blues inventions. i–Geoffrey Himes/i
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Quite simply one of the finest blues records of the 90s – Docendo Discimus – Vita scholae
Equally adept at playing gritty country blues acoustic and soulful horn-laden RB, son Raful Kenny Neal is perhaps the greatest bluesman of his generation.br / This 1994 album is his best, a strong, varied collection that finds Neal top form. His songwriting has never been better, and he plays one of the best harmonica grittiest of his career on songs like "The Real Thing," "Hoodoo Moon" and "Do not Fix Our Love". Br / br / The band includes drummer Ken Johnson, the brother of Kenny Neal's Noelon bass, and keyboardist Lucky Peterson, and the grooves "Hoodoo Moon" are deeper than ever. br / The title track of smoke is one of the finest blues songs of the 90s, and "Why Should I Stay," "The Real Thing," and swaggering "Do not Fix Our Love" are no less impressive. Kenny Neal plays guitar on smoking slow soulful number "to carry the torch" and "If Heartaches Were Nickles, and his husky voice has evolved into a powerful and wonderfully nuanced instrument.br / br/ There is really a single clunker among these 12 songs, and "Hoodoo Moon" would be a perfect introduction for newcomers. Actually it is better to compile Kenny Neal Alligator's "Deluxe Edition".
Very Good Stuff! – deepbluereview – SACRAMENTO, CALIFORNIA USA
Hoodoo Man Neal's fifth release on Alligator Records and marks the end of his relationship with the Gator before moving to Telarc. Some artists near the end of their contract only go through the motions, exerting enough power to complete the project before moving on to greener pastures. Fortunately, Neal did not take this tactic, and instead, has released its best-effort in 1995, but up to now. The CD opens with the interpretation of the powerful, "I'm A Bluesman" and ends on aequally high note with "It Hurts Me Too." Among these songs are even smatterings of classical styles interwoven with contemporary melodies. "Carrying the torch" is a slow number where Neal sings the blues blood running through his veins and his work of, well, carrying the torch of blues. Worthy of mention is the Neal's song "Money Do not Make The Man" on children in the ghetto, raised in poverty and murder of a pair of Reebok. This is a talented guitarist, harmonica player andsongwriter and this is one of his best.
He’s MUCH better live. – Dave – Montreal, Canada
I bought this album after seeing Kenny Neal live in a small auditorium. I must say that I was a little 'disappointed in this recording. The songs are great, but the production seems a bit 'artificial and dubbed. Simply do not capture the same drive, ingenuity and imagination that characterizes the real Kenny Neal. And for the blues, feel is everything …
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